Category Archives: magic

April 12, 2026 · 4:12 pm

Herbs 101

 

 

Merry meet all,

I keep checking my seedling pots. The hardest part of growing herbs from seeds lies in having patience. I am not the most patient type, but when it comes to herbs, patience is mandatory. 

Today’s post will be all about herbs. When I’m out on a walk or checking the garden, I see signs of new growth everywhere – the crocuses popped up, the sage leaves have gone from grey to green and birds peck at the ground. I’m growing a pot of mint in the kitchen. New stems and leaves have emerged, arching toward the sun. 

Growing herbs is a great way to get to know the herbs. It helps in identifying herbs (if you’re anything like me and forget what you planted, lol), and learning to understand what they need. Obtain a spray bottle. Save the water you used to boil eggs in and pour that into the spray bottle, then mist your plants every so often. The water saved from boiling eggs in contains calcium and potassium, necessary natural fertilizers. Never drown the seedlings in a waterfall, mist them with water, especially when they are tiny and just growing their true leaves. Place them in a south-facing window so they receive the maximum amount of sunlight. 

 

 

 

 

 

 

 

I ordered organic all-natural clary sage seeds from Strictly medicinal – (https://strictlymedicinalseeds.com/).  I sprinkled the clary sage seeds into the seedling pot and waited a week and a half. I’m growing chives, clary sage, spearmint and a few other seedlings have popped up, but I can’t identify what they are yet. I also added stinging nettle, catnip, basil, oregano, ashwagandha and borage to the pot of mint. I am short on space, but I have lots of enthusiasm to grow these herbs. I have to wait and see what comes up. My patience paid off though. Now I get to watch them grow. Spraying them with water lightly also greatly decreases the chances of the seedlings getting that annoying fungus in the soil. 

I’m growing catnip from seed in the mint pot because my cat can’t get up on the kitchen island. So the herbs can grow undeterred by a certain overly curious feline. 

Do not fertilize the seedlings heavily when they are growing their true leaves. Wait until the seedlings are about 6 to 8 inches tall and may be ready to potted up again or brought outdoors to the garden after the frost is gone. This is their most important growing phase right now when they get their true leaves. Herbs really take off after that. They can’t be dunked in water, pot overturned or neglected. They need all the care and attention they can get in their early stages. 

We often forget that herbs such as rosemary, spearmint, peppermint, lavender, sage, oregano, thyme, basil and chives originated in the warm Mediterranean climate. The above mentioned herbs are all part of the Lamiaceae family, the mint family. My mother’s rosemary plant is studded with the most beautiful blue blossoms, seated in the cool basement of her home. All her other plants are upstairs on the main floor. If she let the rosemary live up on the main floor during the winter, it would have dried out. My mint dried out, but now that it is spring, it has new growth. Since the mint plant is more established and growing in a deeper pot, I water it more thoroughly than I would my seedlings. Anyone serious about growing lovely, richly aromatic herbs has to get to know what herbs need. It can help to think about the type of climate the herbs originally had in the Mediterranean. I live in Atlantic Canada, which means they don’t get a longer, hot season and we have harsh winters here. But my Mom’s oregano, sage, lavender and thyme are true perennials and are growing back. 

Sage, oregano, basil, chives, mint, lavender, thyme and basil all need mostly full sun and moisture. Once it is warm enough to plant your herbs outdoors on a sunny deck or straight into the garden, make it a ritual. Pick a day when first, all chances of frost are gone and secondly, pick a dry, slightly windy day after the dew has dried. Bring your herbs outdoors. Bonus points if you are hardening them to the outdoor temperatures. You can always bring them in at night if you still feel it is too cold out. Gather all your tools, such as a trowel, a watering can, a gardening shovel and your organic fertilizer. You ARE using organic fertilizer, right? Dig a hole in the garden, remove the herb seedling from the pot, tear gently or tug the roots apart to encourage new and strong growth and place it in the hole. Add the fertilizer around the roots of the plant, then fill in with the soil. Water the seedling well and admire your seedling. Welcome it to the garden. Yes, you can talk to your plants. Ignore your nosy neighbors. Hold the seedling/s in your hands and feel its energy, and welcome it to the garden. Now let mama nature take care of the rest. Don’t crowd all the seedlings. Check the seed packet to know how much room herbs need from each other. 

Gypsum, fish emulsion and Gaia Green are all options for organic fertilizers. Never add harsh chemicals in any form, pesticides or insecticides to your garden. We need to help our plants grow. Insects are our unsung heroes. They do the hard work! Aphids trying to take over? Get ladybugs to eat them. Hang a bird feeder in your garden to feed  your avian friends, they will hunt rats, mice, voles and bugs in the garden. If you are really feeling ambitous, hang a bat house/ feeder. They eat tons of mosquitoes. Let nature fight nature. The best way to help pollinators, birds and bats who would be more than ready to keep pests down is to have healthy, natural soil. That means using no non organic fertilizers. Strong, healthy plants are able to defend themselves from predators and pests, too. 

Soil is vital. Organic soil is vital, composed of tiny, microscopic microbes – tiny bugs. Organic soil should be rich with nutrients and a good sign of organic soil is it will often contains tons of earthworms. When I would set new soil down in my garden when I lived on Crown Drive, I would work the soil in, then let the earthworms and beetles(!) aerate the soil. Earthworms are a good sign of good soil! Use compost and organic mulching methods and you will be rewarded with rich, nutrient soil just perfect for grow herbs in. Ask mother earth and father sky to bless your plants and/or your chosen deity to bless your plants. Add corresponding gemstones into the soil arranged about the base of the plants. 

My mom just accidentally knocked a pot of my baby seedlings to the floor. I was able to find my tiny seedlings and so I tucked them back into the soil. The roots were more established than I thought. The roots reached way down into the soil. Nature will never cease to amaze me. 

If you take all that care and reverence for the gifts that Mother Nature bestows upon us, whether that is a bee pollinating lavender, birds singing or dragonflies flitting from flower to flower, you will have beautiful and aromatic herbs in your garden. I hope these tips help you in your own gardening journey. 

Blessings, Spiderwitch )O(

Links to organic seed suppliers: 

Strictly Medicinal – https://strictlymedicinalseeds.com/

Annapolis Seeds – https://annapolisseeds.com/

 

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September 29, 2025 · 7:15 pm

The Great Amherst Haunting Mystery

 

Merry meet all,

Today we have a special treat for you! Today’s post is about a haunting, just in time for Samhain! My article is posted here and online at Paranormal Daily News. So grab a coffee or hot chocolate and enjoy. Prepare to be spooked! 

 

The Great Amherst Haunting Mystery

The Great Amherst Haunting Mystery cover

The haunting of Esther Cox remains a mystery to this day.

The Amherst haunting started in 1888 when Esther Cox lived on Princess Street with her sister Olive, Olive’s husband Daniel, their two children, and Esther’s siblings. The strange events began in August 1878, when Esther Cox was on a date with what turned out to be an unsavory gentleman. She was sexually assaulted by the male ‘friend’ at gunpoint, which caused her to spiral into a deep emotional trauma response. It is after this horrible assault that the phenomenon began.

How The Amherst Haunting Began

amherst haunting

The Amherst haunting began with knockings, bangings, and rustling in the night. Esther began to suffer seizures; her body would visibly swell, and she experienced chills as well. Objects moved on their own in the house. Concerned for her well-being and struggling to find an explanation for the odd events, her family called a doctor. During the doctor’s visit, the bedclothes shifted, scratching sounds were heard, and the phrase “Esther Cox, you are mine to kill” appeared on the wall by her bed. The next day, the doctor gave Esther sedatives to help her calm down and sleep, but the noises continued, and objects still flew around the house. They attempted to communicate with the rambunctious spirits, and this led to tapped responses to their questions.

The haunting continued for many months, and the family gained a reputation for having the most haunted house on the block. When people would visit the cottage, including those from the church, they heard banging, knocking, and the movement of objects, and this happened even when Esther was under close observation. In December, Esther fell ill from diphtheria, during which time haunting ceased while she was recovering for two weeks in bed. There was no haunting activity when she spent time at her sister’s home in New Brunswick either. When she returned to Amherst, though, the mysterious events picked up right where they left off. In a horrifying turn, fires broke out in various spots around the house, and Esther claimed to see the ghost, which was threatening to burn down the home unless she stayed away.

Peace away from the house, but phenomena continued.

amherst haunting mystery

In January 1879, in an attempt to restore some much-needed tranquility to her home, Esther Cox moved in with another family. However, the haunting persisted, unwavering in its presence. Several people witnessed the manifestations, including conversing with the ghost and receiving rappings for answers. Some people felt sympathy and curiosity, while others were more skeptical. Those who were skeptical believed that Esther was responsible for the odd occurrences and were hostile toward her. Poor Esther was pricked, slapped, and scratched by the ghost, and on one occasion, was even stabbed in the back with a knife.

PDN Newsletter

The news spread far and wide about Esther Cox. In late March, she visited New Brunswick, where she was visited by a few gentlemen with an interest in science. This is where Walter Hubbell enters the picture. He moved into the Teed cottage to study the phenomena more closely. Hubbell was an actor with an interest in psychic phenomena who happened to be in that area of Canada when the mystery began, and he kept a diary of the events in the house. He later developed the diary entries into a book, which was dismissed as a hoax by skeptical investigators.

amherst mystery

Hubbell spent several weeks with Esther Cox and her family to study the phenomenon. While in her home, he claimed to have witnessed objects moving on their own, as well as fires and items manifesting from nowhere. He claimed to have witnessed this occurring even when Esther was in full view and not in a position to have caused these things. He and Esther went on a speaking tour to share their experiences but faced significant hostility and skepticism, which ended their efforts. Esther returned to Amherst in an attempt to have an everyday life. She worked for a man, but after his barn burned down, he accused her of causing the fire, and she was found guilty and sentenced to four months in prison. She spent only one month in jail, and when she returned home, the activity had completely ceased as mysteriously as it had started. She married twice and had two sons. Esther moved to Massachusetts and lived there until her death in November 1912.

The Great Amherst Haunting Mystery – Published

Hubbell’s book, titled “The Great Amherst Mystery: A True Narrative About the Supernatural,” about the occurrences at Esther Cox’s house, was published and was successful, with 55,000 copies of his book having been sold. However, there is no solid scientific evidence to suggest that the ghostly activity ever happened beyond Hubbell’s notes.

amherst haunting

Local Nova Scotia author Lorri Neilsen Glenn wrote a book about Esther Cox, titled “Haunted Girl: Esther Cox and the Great Amherst Mystery.” The book was published by Nimbus Publishing in April 2012. The book includes thirty photos of the locations in Amherst that are related to the house where Esther lived.

The town of Amherst now holds an annual festival, EstherFest, which began in 2017. EstherFest holds numerous activities for the public, including the Fifth Annual Scarecrow Stroll, a Ghost Hunt with Paranormal Phenomena Research and Investigation, a staged reading, and scary movies at Amherst Theatre. Additionally, there will be a ghost walk and a ghost hunt, as well as a youth dance and many other family activities. The festival takes place from October 18 to 30th.

The Great Amherst Mystery will always remain a mystery. We will never know for sure what really happened to Esther Cox and her family and sadly, the house that Esther and her family lived in no longer exists. The tale of Esther Cox in the Great Amherst mystery has inspired many podcasts, a town festival and books. She continues to inspire our minds and hearts today.

Sources:

https://greatamherstmystery.com/events-tickets-2024/

https://en.wikipedia.org/wiki/Great_Amherst_Mystery

​https://nimbus.ca/store/haunted-girl.html?srsltid=AfmBOopSSpmGXO47CWffvTzI6NkAQCtqxPnktzc_eCPo4n06Q854RYsh

https://astonishinglegends.com/astonishing-legends/2022/10/9/the-great-amherst-mystery

https://caretakersparanormalinvestigations.blogspot.com (photo credit)

https://publicparapsychology.org/Public%20Parapsych/Poltergeist%20Phenomena%20Primer%20Final.pdf

Blessings, Spiderwitch 

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September 28, 2025 · 5:23 pm

Hiking on the Trail

Merry meet all,

Yesterday I went on an amazing hike at Lunenburg. I took a lot of photos during the trip. I feel great now. It was an hour drive to the hiking trail. The trees were very colorful with rich foliage. I spotted deer in a field. We arrived at the beach. 

 

 

 

 

 

 

 

 

 

The waves crashed over the shore. I love the sound of the ocean waves rolling back over the rocks. I just love that sound. My guy and I parked and strolled over to the shore. I collected a few rocks. I did not see much shellfish left behind by the seagulls. However, there were lots of rocks. I wanted a new paperweight. We strolled a long, long way along the shoreline. 

 

 

 

 

 

 

 

 

 

Barnacles, seaweed, rocks and driftwood were scattered over the shore. The sky was clear and the sun shone. It was all so beautiful. We then reached a steep hill and decided to hike up the hill. That was cool. The only thing I was not down with were ticks. Yes Nova Scotia is crawling with ticks. We reached the peak but after a refreshing snack, we did not decide to keep hiking. By then, I was thoroughly worn out. 

 

 

 

 

 

 

 

 

 

I would love to share the photos of the trip with you, my dear readers! See above. Today I went to a mystic moon faire. I wore my new green dress from HolyClothing, a blue witch hat and I carried a broomstick. I saw my Mom on the way. She was such a bitch, and never even said hi to me. She just bitched at me about me having the nerve to wear that outfit in her neighborhood. Uh like… okay. I could not even give a frig of what she thinks of my outfit. I can’t believe her. Whatever. I am what I am. 

I bought a cool black cat print tea cozy, a crown, a wand, incense, a spider charm,  gold and silver candles, and an Edgar Allan Poe teatowel. 

Well Samhain is right around the corner! I intend to fully flaunt my witch hat. Stand tall and proud. Unite, dear Witches. We all need to support each other. I plan to enjoy Samhain as much as I can. I wish October was all year long. I could live with that. 

Blessed Be, Spiderwitch 

 

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September 13, 2025 · 11:30 am

The Great Amherst Mystery

Merry meet all,

I received my contributor copy of Pocket Full of Posies this week. The book contains my own flash fiction story, The Cries of Dead Children. I am so happy. The Cries of Dead Children is the eighth story published by Wicked Shadow Press. I love the cover art. The cover art is beautiful for every anthology.

Mabon is almost here! Of course, I know that most of you Witches are drawn to the most celebrated holiday of all time. Yup. Samhain!

Fall is here! Here is a true spooky story to get you in the mood for fall! 

The haunting of Esther Cox remains a mystery, to this day.
The haunting began in 1888 when Esther Cox lived in a house on Princess Street, with her married sister Olive, Olive’s husband Daniel and their two children as well as Esther’s brother and sister. The strange events began in August 1878, when Esther Cox was on a date with what turned out to be an unsavoury gentleman. She was sexually assaulted by the male ‘friend ‘ at gunpoint, which caused her to spiral into a deep emotional trauma response. It is after this horrible assault that the phenomenon began.
The haunting began with knockings, bangings and rustling in the night. Esther began to suffer seizures and her body would visibly swell and she experienced chills as well. Objects moved on their own in the house. Concerned for her well-being and struggling to find an explanation for the odd events, her family called a doctor. During the doctor’s visit, the bedclothes moved, scratching was heard and the words “Esther Cox, you are mine to kill” appeared on the wall by her bed. The following day, the doctor prescribed sedatives to Esther to calm her and help her sleep, but this did not stop the noises and objects flew around the house. They attempted to communicate with the rambunctious spirits and this led to tapped responses to their questions.
The haunting continued for many months and the family gained a reputation for having the most haunted house on the block. When people would visit the cottage, including those from the church, they heard banging, knocking and the movement of objects and this happened even when Esther was under close observation. In December, Esther fell ill from diptheria during which time haunting ceased while she was recovering for two weeks in bed. There was no haunting activity when she spent time at her sister’s home in New Brunsiwck either. When she returned to Amherst though, the mysterious events picked up right where they left off. In a horrifying turn, fires broke out in various spots around the house and Esther claimed to see the ghost which was threatening to burn down the home unless she stayed away.
In January 1879, perhaps to bring some desperately needed peace to the home, Esther Cox lived with another family, but the haunting still continued. Several people witnessed the manifestations, including conversing with the ghost and received rappings for answers. Some people felt sympathy and curiosity while others were more skeptical. Those that were skeptical believed that Esther was responsible for the odd occurrences and were hostile towards her. Poor Esther was pricked, slapped and scratched by the ghost and on one occasion, was even stabbed in the back with a knife.
The news spread far and wide about Esther Cox. In late March, she visited New Brunswick where she was visited by a few gentlemen with an interest in science. This is where Walter Hubbell enters the picture. He moved into the Teed cottage to study the phenomena more closely. Hubbell was an actor with an interest in psychic phenomena who happened to be in that area of Canada when the mystery began and he kept a diary of the events in the house. He later developed the diary entries into a book which was dismissed as a hoax by skeptical investigators.
Hubbell spent several weeks with Esther Cox and her family to study the phenomenon. While in her home he claimed to have witnessed objects moving on their own as well as fires and items manifesting from nowhere. He claimed to have witnessed this occurring even when Esther was in full view and not in a position to have caused these things. He and Esther embarked on a speaking tour to give an account of these events, but encountered a great deal of hostility and skepticism which put an end to the endeavor. Esther returned to Amherst in an attempt to have an everyday life. She worked for a man, but after his barn burned down, he accused her of causing the fire and she was found guilty and was sentenced to four months in prison. She spent only one month in jail, and when she returned home the activity had completely ceased as mysteriously as it had started. She married twice and had two sons. Esther moved to Massachusetts and lived there until her death in November 1912.
Hubbell’s book, titled “The Great Amherst Mystery: A True Narrative About the Supernatural”, about the occurrences at Esther Cox’s house was published and was successful with 55,000 copies of his book having been sold. However, there is no solid scientific evidence to suggest that the ghostly activity ever happened beyond Hubbell’s notes.
[Editor’s note: The paranormal activity described here fits well into extensive scientific files of poltergeist activity. More information can be found in this PDF: Poltergeist Phenomena: A Primer on Parapsychological Research and Perspectives]
A local author, Lorri Neilsen Glenn, who lives in Nova Scotia, wrote a book about Esther Cox. The book, titled “Haunted Girl Esther Cox and the Great Amherst Mystery”, was published by Nimbus Publishing in April 2012. The book includes thirty photos of the locations in Amherst that are related to the house where Esther lived.
The town of Amherst now holds an annual festival, EstherFest, which began in 2017. EstherFest holds numerous activities for the public, including the Fifth Annual Scarecrow Stroll, a Ghost Hunt with Paranormal Phenomena Research and Investigation, a staged reading, and scary movies at Amherst Theatre. Additionally, there will be a ghost walk and a ghost hunt, as well as a youth dance and many other family activities. The festival takes place from October 18 to 30th.
The Great Amherst Mystery will always remain a mystery. We will never know for sure what really happened to Esther Cox and her family and sadly, the house that Esther and her family lived in no longer exists. The tale of Esther Cox in the Great Amherst mystery has inspired many podcasts, a town festival and books. She continues to inspire our minds and hearts today.
 
Sources:
https://greatamherstmystery.com/events-tickets-2024/
https://en.wikipedia.org/wiki/Great_Amherst_Mystery
​https://nimbus.ca/store/haunted-girl.html?srsltid=AfmBOopSSpmGXO47CWffvTzI6NkAQCtqxPnktzc_eCPo4n06Q854RYsh
https://astonishinglegends.com/astonishing-legends/2022/10/9/the-great-amherst-mystery
https://caretakersparanormalinvestigations.blogspot.com (photo credit)

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March 2, 2025 · 9:44 pm

Midnight Manuscripts Podcast of my short horror story Skin Audio Recording )O(

Merry meet all,

Today’s post is about the audio recording of my short fiction horror story, Skin. The company that published my debut horror novel The Cult of the Spider People: Bone Chillers #1 began a podcast. They call the podcast The Midnight Manuscripts! Onyx Brightwing narrated it and she has done a lovely and spooky job of bringing a scary life to my story. They have narrated other stories too. 

I’m posting the link here for you to listen to it: https://youtu.be/fAlVStrfcIs?si=gPXd4LuYl8wCa-J0

I hope you will all listen to the podcast! 

I sewed myself another simple dress. I wanted a dress that I could wear anytime, a casual dress. It was the simplest pattern I have ever sewn in my life. I might make more dresses from this pattern. I used the New Look pattern #6775. 

Blessings, Spiderwitch 

Here is a photo of my dress:

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December 2, 2024 · 4:43 pm

The Yule Spirit )O(

Greetings darklings:

I’ve been in the Yuletide spirit lately! I have completed all my xmas shopping (my list of who to buy gifts for is short!). I have already decorated the tree, brewed a pot of simmering potpourri on the stove and wrapped gifts. I am going to try to be as eco-friendly as I can this holiday season. Here are some ways I have tried to be more eco-friendly-

  • I bought only what I needed for baking, gift wrapping and decorating. 
  • I recycle, reuse and repurpose. For example, I often use, clean and reuse my mason jars.
  • I use my Goth tree every year. I leave it up all year and decorate it for Yule when the holiday season arrives instead of killing a real tree. 
  • If I have leftover wrapping paper for gifts, I save it for the next holiday in the broom closet instead of throwing it away.
  • I have saved any cedar, juniper or pine needles from last year to use this year in more simmering potpourri recipes.
  • I have composted the herbs I used to make tinctures and herbal oils. They will eventually return to the soil next spring. 
  • I shopped local stores instead of shopping on Amazon. 
  • That kept the money in the local economy. 
  • I used the same tree decorations that I have always owned instead of buying new decorations I don’t really want. 
  • I attended the local Have Yourself a Gothic Little Christmas (fun!) and supported local artists and kept the money in the local economy. 
  • I foraged local herbs instead of buying. them online. That saves me money and lets me practice my foraging skills. 

I live on a tight income. It’s better to help the local economy and shop locally rather than giving more money to Amazon, who doesn’t need it as badly. I certainly believe in that. 

I have made more headway with the Arwen dress. I am almost done sewing the dress. I visited my Mom this weekend and we worked on the zipper and the sleeves. It feels so good to have that done. Now I can move on to the smaller though no less necessary projects for the dress. I want to sew the second collar to the bodice that goes with the dress. I want to sew a white trim onto the dress under the collar. I want to finish sewing the grey lace trim to the grey sleeve lining. Then I plan to snip any straggling threads and do a final check then it is time for the Grand Reveal! I have a lot of blue tricot knit fabric remaining. I may make a skirt or a shawl to go with the dress. I want to sew blue lace to the shawl too. 

I bought green plain cotton fabric and a flannel green snowflake print fabric. I plan to sew a tablecloth with those fabrics. I bought green thread too. One fabric is plain and the other has a print. I will just hem them both and layer the printed material on top of the plain. If I want to, then I can use them for a different purpose any time of the year that way. 

I’m drying pears in my dehydrator today. I will use the dried pears in a fun festive holiday drink. I hope to brew a few festive holiday drinks. I attended the Have Yourself a Gothic Little Christmas event. I bought a lovely herbal tea, gifts for my friends and a mousepad, bookmark for me, a cauldron oil burner, an obsidian crystal ball for me,  & a Witch’s broom. I had so much fun. I even signed Christmas cards but I can’t mail them with Canada Post. So sending the gifts/ prezzies to my friends is postponed. I hope they understand. I can’t do anything about the strike. 

I can count on Amazon though. I am hosting my first ever book launch this month for my novel The Cult of the Spider People at Trident Cafe. The event occurs on December 18th. I hope there is a good turnout of people. I can’t wait to get to sign books. I have to promote my novel and let people know I am alive and exist and have a novel out. 

Speaking of books, I picked up Jonathan Maberry’s book Shadows and Verse: Classic Dark Poems with Celebrity Commentary. I have always enjoyed poetry and so this book will make a great winter read this holiday season. He produces nothing but the best in poetry and fiction. I am sure the book will be a classic treasure for years. 

I just came in from being in my backyard. I emptied the herbs that I used for making tinctures and oils into my compost tumbler. I turned the compost tumbler several times. That makes sure it will all be blended well. It will all hopefully turn into composted soil next spring for my garden. I left the Samhain pumpkin to compost right where my haskap bush used to be before that creep ruined my bush. I left the pumpkin there to add the nutrients to my haskap plant, which will hopefully grow back next spring. 

Till next time, my dear readers

Blessings, Spiderwitch

 

 

 

 

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November 25, 2024 · 1:23 pm

Winter Solstice )O(

Greetings darklings:

I am excited about the Winter Solstice! I love the dark half of the year. The scent of a lovely spicy simmering potpourri simmers on the stove, warming my apartment with its lovely scent. I have decorated my goth tree and I decorated the kitchen table. I have lined up lovely recipes to make and enjoy this coming holiday season. Best of all, and this is my favourite part, I don’t have to rely on Canada Post to mail prezzies to my friends. 

The winter solstice, also known as Yule or Midwinter, is a celebration of the sun’s rebirth and the return of light and warmth. It marks the end of the darkest day of the year and the beginning of longer days and the return of the sun’s strength.

For Pagans, the shortest day of the year marks the end of the descent into darkness and the beginning of the return of the light as the days begin to get longer after the solstice. Like many other religious holidays, Yule is a celebration of light.

As the wheel of the year turns, bringing us closer to the winter solstice, pagans and Wiccans around the world are eagerly preparing for the enchanting celebration of Yule. With a rich tapestry of traditions, rituals, and symbolism, Yule offers a beautiful opportunity to honour the cycle of nature, embrace the winter season, and welcome the returning light. In this blog post, we will delve into the essence of Yule, exploring its significance, rituals, and the profound magic it holds for those who follow pagan and Wiccan paths.

The 12 Days of Yule – Ultimate Witch’s Guide

The Significance of Yule:
Yule, also known as the winter solstice, marks the shortest day and longest night of the year in the Northern Hemisphere. Falling around December 21st, this celestial event has been celebrated for centuries by various cultures and spiritual traditions. For pagans and Wiccans, Yule holds immense significance as a time of transition, rebirth, and renewal. It symbolizes the triumph of light over darkness, as the sun begins its ascent, gradually growing stronger and promising the return of spring.

Yule Rituals and Traditions:
Lighting the Yule Log: One of the most cherished Yule traditions is the lighting of the Yule log. Symbolizing the light and warmth in the midst of winter’s darkness, a large log is traditionally burned in the hearth or bonfire. As the log crackles and glows, it serves as a focal point for reflection, meditation, and the manifestation of hopes and dreams for the coming year.

Decorating the Yule Tree: Similar to the modern-day Christmas tree, pagans and Wiccans adorn a Yule tree with symbols of nature, such as pinecones, berries, and strings of dried herbs. Each decoration represents an aspect of the season or personal intentions. Adding lights to the tree signifies the return of light and the continuation of life even in the coldest of times.

Holding a Yule Feast: Yule is a time for gathering with loved ones and sharing a bountiful feast. Incorporate seasonal foods such as root vegetables, hearty stews, spiced cider, and traditional Yule cakes. During the feast, take a moment to express gratitude for the abundance in your life and connect with the energy of the earth’s cycles.

Welcoming the Sun: As the solstice marks the turning point from darkness to light, many pagans and Wiccans choose to greet the sunrise on the morning of Yule. Find a quiet spot in nature, whether it be a hilltop or your own backyard, and witness the beauty of the sun’s return. Offer prayers or intentions for the new cycle, and take a moment to feel the warmth of the sun’s rays on your face.

Yule Traditions
Yule traditions vary among different pagan and Wiccan traditions, but here are some common practices and customs associated with Yule:

Lighting the Yule Log: Burning a Yule log is a time-honoured tradition that represents the return of light during the darkest time of the year. A large log, often made of oak or other sacred woods, is ceremonially lit and kept burning throughout the night or for the entire Yule season.

Decorating the Yule Tree: Similar to the modern-day Christmas tree, pagans and Wiccans decorate a Yule tree with symbols of nature and the season. Adornments may include pinecones, holly, mistletoe, dried herbs, and handmade ornaments. Many choose to use natural materials and eco-friendly decorations to honor the Earth.

Exchanging Gifts: Gift-giving during Yule symbolizes the spirit of generosity and sharing. It is a time to express love and gratitude for one another. Handmade or nature-inspired gifts are often favored, and the act of giving is seen as an offering of abundance and blessings.

Holding a Yule Feast: Yule is a time for gathering with loved ones and sharing a festive meal. Traditional foods include roasted meats, root vegetables, mulled wine, spiced cider, Yule log cakes, and other seasonal treats. The feast is often accompanied by toasts, blessings, and expressions of gratitude for the abundance of the season.

Welcoming the Sun: Many pagans and Wiccans choose to witness the sunrise on the morning of the winter solstice, or Yule morning. It is a symbolic act of greeting the returning sun and embracing the rebirth of light. Offerings or prayers may be made to honor the sun’s energy and express intentions for the coming year.

Yule Rituals and Ceremonies: Various rituals and ceremonies are performed during Yule to celebrate the turning of the wheel and the cycles of nature. These may include candle lighting rituals, divination practices, drumming or chanting circles, and group ceremonies to honour deities associated with the season.

Reflection and Introspection: Yule is a time for introspection and self-reflection. Many pagans and Wiccans take this opportunity to review the past year, assess personal growth, and set intentions for the future. Journaling, meditation, and divination are often incorporated to gain insight and clarity.

Winter Solstice Meditation: Set aside time for introspection and meditation. Reflect on the lessons learned during the past year and envision the future you wish to manifest. Embrace the transformative energy of the solstice to release what no longer serves you and invite new beginnings.

Crafting Yule Spells: Yule is a potent time for spellwork. Utilize candles, herbs, and crystals to craft spells focused on renewal, abundance, and personal growth. Align your intentions with the energy of Yule, harnessing the power of the returning light to manifest your desires.

Nature Walks and Offerings: Bundle up

Yule traditions can be personalized and adapted to suit individual beliefs and practices. The most important aspect is to honour the season, celebrate the cycles of nature, and connect with the spiritual significance of Yule.

Yule Meaning
The meaning of Yule varies among different traditions, but it generally represents the winter solstice and the turning point of the year. Here are a few aspects of the meaning of Yule:

Rebirth of the Sun: Yule marks the shortest day and longest night of the year in the Northern Hemisphere. It symbolizes the rebirth of the sun as the days gradually start to lengthen again. Yule celebrates the return of light and the promise of warmth and growth in the coming months.

Renewal and Transformation: Yule is a time of renewal and transformation, both in nature and within ourselves. It represents the cyclical nature of life, reminding us that even in the darkest times, there is always the potential for light and growth. Yule is a time to shed old patterns, release what no longer serves us, and set intentions for the future.

Connection to Nature: Yule is deeply rooted in the cycles of nature. It highlights our connection to the Earth and the importance of honouring and respecting the natural world. Yule encourages us to observe the changing seasons, appreciate the beauty of the winter landscape, and recognize the interplay of darkness and light.

Celebration of Family and Community: Yule is traditionally a time of gathering with loved ones, family, and community. It is a time for sharing warmth, love, and gratitude. Yule celebrations often involve feasting, exchanging gifts, and participating in rituals or ceremonies that foster a sense of togetherness and unity.

Spiritual and Magical Significance: Yule holds spiritual and magical significance in various pagan and Wiccan traditions. It is seen as a time when the veil between worlds is thin, making it easier to connect with spiritual energies, ancestors, and deities. Yule rituals often involve honouring specific gods and goddesses associated with the season, performing divination, and setting intentions for spiritual growth.

Reflection and Introspection: Yule is a time for introspection and reflection on the past year. It provides an opportunity to review personal growth, accomplishments, and challenges, as well as to contemplate the lessons learned and the changes desired for the future. Yule encourages self-reflection, inner work, and setting intentions for personal and spiritual development.

Yule is a celebration of the winter solstice, representing the return of light, the cycle of life, and the interconnectedness of nature and humanity. It is a time of joy, transformation, and deep spiritual significance for those who observe it.

Winter Solstice
The winter solstice is an astronomical event that occurs each year around December 21st in the Northern Hemisphere (and around June 21st in the Southern Hemisphere). It marks the shortest day and longest night of the year. During the winter solstice, the sun reaches its lowest point in the sky, and the daylight hours are at their minimum.

Yule is closely associated with the winter solstice. In fact, Yule is often used interchangeably with the term “winter solstice” in pagan and Wiccan traditions. Yule is a festival that celebrates the rebirth of the sun, the return of light, and the turning point of the year. It symbolizes the transition from darkness to light, from the old to the new.

Yule is typically celebrated for several days, encompassing the day of the winter solstice and the days surrounding it. It is a time of gathering with loved ones, feasting, exchanging gifts, and engaging in rituals and practices that honor the cycles of nature and the symbolism of the season. Yule is often seen as the beginning of a new solar year, and it marks the gradual lengthening of daylight as the wheel of the year turns.

While Yule holds its own spiritual and cultural significance, it is closely tied to the winter solstice as a celebration of the sun’s rebirth and the shifting of seasons. The winter solstice serves as the astronomical event that anchors the timing of Yule celebrations in many pagan and Wiccan traditions.

Winter Solstice Rituals
Winter solstice rituals vary among different traditions and individuals, but here are some ideas to inspire your own winter solstice celebrations:

Candlelight Meditation: Create a sacred space with candles and soft lighting. Sit in quiet meditation, focusing on the stillness and introspection of the winter season. Visualize the return of light and reflect on your personal growth, intentions, and desires for the coming year. Contemplate the lessons of darkness and the potential for renewal.

Setting Intentions: Write down your intentions, goals, or wishes for the upcoming year. Use this time to envision the changes and transformations you would like to manifest. Place your written intentions on your altar or under your Yule log and offer them to the universe during your rituals.

Divination and Reflection: Winter solstice is a great time for divination and reflection. Use tarot cards, runes, scrying, or any divination tool of your choice to gain insights and guidance for the year ahead. Reflect on the past year, the lessons learned, and the areas where you seek growth and transformation.

Releasing Ceremony: Create a symbolic release ceremony to let go of what no longer serves you. Write down any negative thoughts, patterns, or emotions you wish to release. Burn the paper in a fire-safe container, visualizing those energies being transformed and released. As you let go, affirm your readiness to embrace new beginnings and positive change.

Remember, these rituals are just suggestions, and you can adapt or create your own based on your beliefs and preferences. The most important aspect is to approach the winter solstice with reverence, intention, and a deep connection to the natural cycles and the energy of the season

Yule Symbols
Yule Symbols play an important role in the celebration of Yule and the winter solstice. They represent the themes, energies, and concepts associated with this festive time of year. Here are some common symbols of Yule:

1. Yule Log: The Yule log is a traditional symbol of Yule. It represents the rebirth of the sun and the returning light. A large log, often from an oak or ash tree, is burned in the hearth or on the Yule fire to bring warmth, light, and blessings to the home.

2. Evergreens: Evergreen trees, such as pine, fir, and spruce, are symbols of everlasting life and resilience. They represent the enduring power of nature during the winter months. Evergreen branches, wreaths, and garlands are commonly used in Yule decorations to honor this symbolism.

3. Holly and Ivy: Holly and ivy are symbols of Yule and the winter solstice. Holly, with its vibrant red berries and sharp leaves, represents protection, vitality, and the eternal cycle of life. Ivy, with its clinging vines, symbolizes strength, determination, and rebirth.

4. Mistletoe: Mistletoe is a sacred plant associated with Yule and love. It is often hung in doorways or used in Yule decorations. According to tradition, a kiss is exchanged beneath the mistletoe, signifying peace, goodwill, and fertility.

5. Sun and Solar Symbols: Yule celebrates the return of the sun’s light and the lengthening of days. Sun symbols, such as the sun wheel or the sun cross, represent the power and warmth of the sun during this time. They embody the promise of renewed energy and the coming of spring.

6. Candles: Candles are integral to Yule rituals and decorations. They represent the triumph of light over darkness and the kindling of hope during the winter season. Red, green, gold, and white candles are commonly used to symbolize the energy and themes of Yule.

7. Reindeer: Reindeer, specifically associated with the figure of Santa Claus, also have symbolic significance in Yule celebrations. They are associated with the wild energy of the season and represent strength, endurance, and the ability to navigate through darkness.

8. Snowflakes: Snowflakes are a symbol of the winter season and Yule. Each snowflake is unique and intricate, representing the beauty of individuality and the delicate balance of nature. Snowflakes are often used as decorative motifs in Yule crafts and ornaments.

These symbols of Yule serve to evoke the energy and essence of the winter solstice, celebrating the cycles of nature, the return of light, and the hope and joy that come with the turning of the year. Incorporating these symbols into your Yule celebrations can deepen your connection to the season and add layers of meaning to your rituals and decorations.

Christmas Tree Origin
The origin of the Christmas tree can be traced back to ancient pagan traditions and later adopted by Christian celebrations. Here’s a brief overview:

Pagan Origins: Evergreen trees have long been revered as symbols of life, fertility, and rebirth in various cultures. In ancient times, people would decorate their homes with evergreen boughs and trees during winter festivals, including the winter solstice. These decorations were seen as a way to celebrate the enduring power of nature and the promise of new life during the darkest time of the year.

Christian Adoption: The practice of bringing evergreen trees indoors for Christmas became more widespread in the 16th century when Christians in Germany started to incorporate the tradition into their celebrations. The trees were seen as a representation of the Tree of Life from the Garden of Eden and a reminder of eternal life through Jesus Christ. Over time, the Christmas tree tradition spread to other parts of Europe and eventually to North America and beyond.

Traditional Decorations: Traditional decorations for Christmas trees vary across cultures and individual preferences, but some common ornaments include:

1. Lights: Strings of lights are a popular decoration, symbolizing the light of Christ and adding a festive glow to the tree.

2. Ornaments: Ornaments come in various shapes, sizes, and materials. They can be handmade or store-bought, and often include symbols of the season, religious motifs, and personal mementos. Popular ornaments include stars, angels, snowflakes, bells, and figurines.

3. Tinsel and Garland: Tinsel and garlands are used to add shimmer and color to the tree. They can be made of metal, plastic, or natural materials like popcorn or cranberries.

4. Candles: While less common today due to safety concerns, candles were traditionally placed on Christmas trees to represent the light of Christ. Electric candle replicas are sometimes used as a safer alternative.

5. Tree topper: The tree topper is placed at the very top of the tree and often represents a star or an angel. It symbolizes the guiding light and the divine presence.

6. Ribbons and Bows: Ribbons and bows can be used to adorn the tree, adding a festive touch and complementing the color scheme.

These are just a few examples of traditional decorations for Christmas trees. However, it’s important to note that personal and cultural preferences vary, and individuals may choose to decorate their trees in unique and meaningful ways, incorporating their own traditions and symbols.

Yule God’s and Goddesses
Various gods and goddesses from different mythologies and traditions are associated with Yule and the winter solstice. Here are a few examples:

The Cailleach: The Cailleach is a fascinating figure from Celtic mythology and folklore who is often associated with winter and the winter solstice. In Celtic tradition, the Cailleach (pronounced “KAL-yuhkh” or “KAL-yach”) is a divine hag or crone figure representing the power of winter, sovereignty, and the cycles of nature. She is sometimes referred to as the Cailleach Bheur or Beira. The Cailleach is believed to shape the land and control the weather during the winter months. She is often depicted as an old woman with wild, weather-beaten features, and she carries a staff or wand that controls the season’s elements. The land according to her whims. The Cailleach is linked to the concept of rebirth and renewal. As the winter season wanes and the wheel of the year turns toward spring, the Cailleach eventually transforms into her maiden form, known as Brighid or Bride, symbolizing the awakening of life and the coming of spring. During the winter solstice, the Cailleach’s power is believed to be at its peak. Some traditions honour her during this time as the embodiment of the winter season and the forces of nature that shape the land.

Odin (Norse mythology): In Norse mythology, Odin is often associated with Yule. He is seen as the leader of the Wild Hunt during the winter solstice, riding across the sky with his army of spirits. Odin represents wisdom, magic, and the transformative power of the winter season.

Freyja (Norse mythology): Freyja, the Norse goddess of love, beauty, and fertility, is also associated with Yule. She is believed to bring warmth, joy, and abundance during the winter months. Freyja is often connected to the celebrations of love and family during Yule.

Holly King and Oak King: In pagan and Wiccan traditions, the Holly King and Oak King are symbolic figures associated with the changing seasons. The Holly King represents the waning year and reigns over the darker half of the year until Yule. During the winter solstice, the Oak King, representing the waxing year, triumphs over the Holly King, marking the return of light and the lengthening of days.

Demeter and Persephone (Greek mythology): In Greek mythology, the story of Demeter and Persephone is often connected to the cycle of the seasons, including the winter solstice. Persephone, the daughter of Demeter, spends half of the year in the underworld as the queen of the dead, and her return to the surface marks the rebirth of vegetation and the return of spring.

Sun Gods and Goddesses: Various deities associated with the sun are honoured during the winter solstice, symbolizing the return of light and the lengthening of days. Examples include Ra (Egyptian mythology), Apollo (Greek mythology), and Surya (Hindu mythology), among others.

These are just a few examples, and there may be other regional or individual interpretations of winter goddesses. Additionally, some traditions may personify winter through a male deity or other mythological figures. Exploring different cultural beliefs and folklore can provide further insights into the goddesses and deities associated with the winter season.

Yule Crystals
There are several crystals that are commonly associated with the energy and themes of Yule. These crystals can be used in rituals, meditations, spellwork, or simply carried with you during the Yule season to enhance your connection to the holiday. Here are a few crystals often associated with Yule:

1. Clear Quartz: Clear Quartz is a versatile crystal that can be used for any purpose and is often referred to as the “master healer.” It amplifies intentions, enhances clarity, and brings a sense of balance and harmony. Clear Quartz can be used to amplify the energy of other crystals and is often utilized in Yule rituals to invite the energy of light and clarity.

2. Ruby: Ruby is a vibrant red crystal that symbolizes passion, vitality, and warmth. It is associated with the element of fire, making it an excellent crystal to use during Yule celebrations to invoke the energy of the returning sun and the transformative power of the season. Ruby can also enhance courage, motivation, and creativity.

3. Garnet: Garnet is a deep red crystal associated with grounding, protection, and regeneration. It aligns with the energy of the winter season, providing strength and stability during times of transition. Garnet can be used to connect with the earth’s energy and to infuse your Yule rituals with a sense of stability and renewal.

4. Snowflake Obsidian: Snowflake Obsidian is a black volcanic glass with white snowflake-like inclusions. It represents purity, balance, and reflection. Snowflake Obsidian can help release negative energy, promote self-awareness, and facilitate a sense of serenity during the introspective Yule season.

5. Labradorite: Labradorite is a mesmerizing crystal known for its iridescent play of colors. It is associated with magic, intuition, and spiritual awakening. Labradorite can be used to enhance psychic abilities, access higher realms of consciousness, and connect with the mystical energy of Yule.

6. Citrine: Citrine is a golden yellow crystal associated with abundance, joy, and positivity. It radiates warmth and can be used to invoke the energy of the sun during the dark winter months. Citrine is often used to attract prosperity, boost self-confidence, and infuse Yule celebrations with a sense of happiness and optimism.

These are just a few examples, and there are many other crystals that can be associated with Yule. Follow your intuition and choose crystals that resonate with you personally. Cleanse and charge your crystals before using them, and set your intentions to align their energies with the spirit of Yule.

Yule Herbs
Several herbs and plants are associated with the celebration of Yule, offering their unique scents, properties, and symbolism to enhance the festive atmosphere and rituals. Here are a few herbs commonly associated with Yule:

Pine: Pine is strongly connected to Yule and the winter season. Its evergreen nature represents life and vitality during the colder months. The scent of pine is uplifting and refreshing, evoking feelings of renewal and connection to nature. Pine branches or pine needles can be used in decorations, wreaths, or burned as incense during Yule rituals.

Cedar: Cedar is another sacred evergreen associated with Yule. Its aroma is grounding and purifying, making it ideal for cleansing and protection rituals. Cedar branches or cedar chips can be used in various ways, such as creating Yule charms, adding them to Yule wreaths, or burning them as incense.

Cinnamon: Cinnamon is a popular spice associated with warmth, comfort, and abundance. Its sweet and spicy scent evokes feelings of coziness and celebration. Cinnamon sticks can be used in Yule decorations, added to Yule recipes, or simmered in potpourri to infuse the air with a delightful aroma.

Frankincense and Myrrh: These two resins have a long history of sacred use and are often associated with Yule. Frankincense is believed to purify and elevate spiritual energies, while myrrh is associated with protection and transformation. Both resins can be burned as incense during Yule rituals and meditations, creating an ambiance of sacredness and reflection.

Bay: Bay leaves have long been associated with protection, clarity, and divination. They can be used in Yule rituals and spellwork to enhance psychic abilities, bring clarity to intentions, or offer protection during the darker months. Bay leaves can also be added to recipes or burned as incense.

Juniper: Juniper is a herb associated with purification, protection, and vitality. Its aromatic berries and foliage can be used in Yule decorations or burned as incense to cleanse and ward off negative energy. Juniper is believed to invite good health and blessings into the home during the Yule season.

Mistletoe: Mistletoe holds symbolic and spiritual significance during the Yule season. Mistletoe has strong connections to ancient Celtic and Druidic traditions. The Druids considered mistletoe a sacred plant, especially when it grew on oak trees. Hanging mistletoe indoors during Yule has become a well-known tradition in many cultures. It is often placed in doorways or above thresholds, and people passing beneath it are encouraged to exchange a kiss. This custom is believed to bring luck, love, and good fortune for the coming year. Kissing under the mistletoe is seen as an act of embracing the Yule spirit of joy, affection, and unity.

Holly: Holly is an evergreen shrub with glossy, spiky leaves and bright red berries. Its presence during the winter season is seen as a symbol of vitality, endurance, and protection. The sharpness of the holly leaves is thought to repel negative energy and evil spirits. In Yule celebrations, holly is often used as a decorative element. It is incorporated into wreaths, garlands, and other festive decorations, both indoors and outdoors. Holly branches are placed around the home, on altars, or above doorways to bring good fortune and ward off negative influences. Its evergreen nature represents the enduring life force even during the coldest and darkest time of the year. The red berries on the holly plant symbolize the returning light and the promise of new life.

There are many other herbs and plants that can be associated with Yule. Use your intuition and personal preferences when selecting herbs for your Yule celebrations. Incorporate them into your rituals, decorations, recipes, or as offerings to create a meaningful and magical Yule experience.

Yule Colours
The colours associated with Yule are often inspired by the natural elements and themes of the winter season. While individual preferences and cultural traditions can influence colour choices, here are some commonly associated colours for Yule:

Red: Red represents the warmth of hearth and home, the fires of Yule, and the life-giving energy of the sun. It symbolizes passion, love, and the strength to endure the cold winter months.

Green: Green is the colour of evergreen trees, holly, and mistletoe, which are all symbols of Yule. It represents the vitality of nature, growth, and the promise of renewal during the winter season.

Gold: Gold is associated with the returning sun and the triumph of light over darkness. It represents the divine, abundance, prosperity, and the spark of hope during the darkest time of the year.

Silver: Silver is reminiscent of moonlight and frost, adding a cool and ethereal touch to Yule decorations. It symbolizes purity, intuition, and the transformative power of the winter season.

White: White is the colour of snow and ice, evoking a sense of purity, cleanliness, and a blank canvas for new beginnings. It represents the stillness and serenity of winter.

These colours are often combined in Yule decorations, such as on the Yule log, wreaths, ornaments, candles, and table settings. However, it’s important to note that personal preferences and cultural traditions can influence the colours chosen for Yule celebrations. Feel free to incorporate colours that resonate with you and evoke the spirit of the season in your own unique way.

Decorating Your Altar for Yule
Decorating your altar for Yule is a wonderful way to create a sacred space that embodies the spirit of the season. Here are some ideas to inspire you when decorating your Yule altar:

1. Colours and Fabrics: Incorporate colours associated with Yule, such as red, green, gold, and silver. Use fabric or altar cloths in these hues to create a festive backdrop for your altar.

2. Yule Symbols: Add Yule-specific symbols to your altar, such as a Yule log, pinecones, holly, or mistletoe. These items represent the energy of the season and the cycles of nature.

3. Candles: Light candles on your altar to represent the returning light and the triumph of light over darkness. Use white, red, green, or gold candles, and consider placing them in candle holders or adorned with seasonal symbols.

4. Evergreen Branches: Place sprigs of evergreen, such as pine or cedar, on your altar. They symbolize everlasting life and the resilience of nature during the winter months.

5. Crystals and Gemstones: Display crystals and gemstones associated with Yule, such as clear quartz, ruby, garnet, or snowflake obsidian. Arrange them in a way that feels harmonious and aligned with your intentions for the season.

6. Statues or Symbols of Deities: If you work with specific deities, place statues or symbols representing them on your altar. For example, you might include representations of the Oak King, the Holly King, or deities associated with the sun or rebirth.

7. Seasonal Offerings: Offerings are a way to honour and show gratitude for the abundance of the season. Consider placing seasonal fruits, nuts, or baked goods as offerings on your altar. Remember to remove any perishable items promptly to prevent spoilage.

8. Yule Wreath or Garland: Hang a Yule wreath or garland on or near your altar. Use evergreen branches, pinecones, ribbon, and other Yule-themed decorations to create a visually appealing and symbolic representation of the season.

9. Divination Tools: If you practice divination, place your tarot cards, runes, or other divination tools on your altar. Invite the energy of Yule to infuse your readings and provide insights for the upcoming year.

10. Personal Touches: Finally, add personal touches to your altar that hold meaning for you. It could be a handmade Yule ornament, a photograph of loved ones, or a written intention for the season. Infuse your altar with your own creativity and spirituality.

Remember, the most important aspect of decorating your altar for Yule is to create a space that feels sacred and aligned with your personal beliefs and intentions for the season. Allow your intuition to guide you as you arrange your altar and infuse it with the energy of Yule.

Yule Foods
Yule is a festive time of year when various foods are enjoyed to celebrate the season and honor traditional customs. While specific food traditions may vary depending on cultural and regional practices, here are some foods commonly associated with Yule:

Roasted Meats: Roasted meats, such as ham, turkey, or beef, are popular choices for Yule feasts. They symbolize abundance, sustenance, and the bountiful harvest. These meats are often seasoned with herbs and spices for added flavour.

Root Vegetables: Root vegetables like carrots, potatoes, parsnips, and turnips are common ingredients in Yule meals. They are hearty and plentiful during the winter season, making them fitting additions to celebratory dishes.

Winter Squash: Winter squash varieties, such as butternut squash, pumpkin, and acorn squash, are often incorporated into Yule recipes. They can be used in soups, stews, roasted dishes, or even desserts, adding warmth and richness to the table.

Berries and Nuts: Berries, such as cranberries or lingonberries, and nuts, like walnuts or hazelnuts, are associated with Yule. They are used in various dishes, such as sauces, stuffings, breads, and desserts, providing vibrant flavours and textures.

Spiced Drinks: Warm spiced drinks are popular during Yule, offering comfort and cheer. Mulled wine, spiced cider, or herbal teas infused with cinnamon, cloves, and other aromatic spices are enjoyed to ward off the chill and evoke a sense of warmth.

Gingerbread and Cookies: Baking and decorating gingerbread cookies or other festive treats is a beloved Yule tradition. These sweet delights are often shaped like stars, trees, or other seasonal symbols and enjoyed as a special indulgence.

Yule Log or Bûche de Noël: As mentioned earlier, the Yule Log cake, also known as Bûche de Noël, is a traditional dessert associated with Yule. It is a rolled sponge cake, decorated to resemble a log and often filled with cream or other fillings. The Yule Log cake represents the importance of fire and the returning light during the winter solstice.

Wassail: Wassail is a spiced punch or cider traditionally enjoyed during Yule. It is made by simmering apple cider with spices like cinnamon, cloves, and nutmeg. Wassail is often served hot and shared among friends and family to spread warmth and good cheer.

Yule is a wonderful time to gather, share meals, and savour the flavours of the season while embracing the spirit of Yule.

Credit to website: https://www.moonfallmetaphysical.com/s/stories/yule?srsltid=AfmBOopQDWU38A-10W6Lh0T7xPFyA9VCoF8ibt0rI67OMf2HO7PGICF1

Enjoy the Winter Solstice!

Blessings, Spiderwitch 

 

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August 2, 2024 · 11:20 am

Interview with horror author Dev Solovey )O(

Merry meet all,

Welcome everyone! Today we’re chatting with Dev Solovey, who has just released his debut horror novella Fever Dreams. 

Why horror? Do you have a favorite subgenre in horror?

I like writing stories that really dig into the human experience and that have something to say, and I think a genre like horror – which relies on cultural taboos and primal fears – is the perfect genre for transgressive art. I do also enjoy fun pulpy horror, but I find I do my best writing when I have a message or theme in mind. My favorite horror subgenre is horror/splatterpunk comedy, but I’m not really the kind of person who cares so much what genre something is. I care more about what the story has to say, and how the story says it. It’s why I can enjoy The Texas Chainsaw Massacre just as much as I can enjoy Pride and Prejudice – both are strong critics of the status quo during the times they were penned, and whatever Mr Wickham does to Lydia Bennett is just as disgusting to me as anything Drayton Sawyer cooks up.

Which other horror authors influenced you the most and why?

I read a lot of comics as a kid, so my biggest horror influences are probably Jhonen Vasquez, Clive Barker and Jason Pargin (previously under his pen name of David Wong). Johnny the Homicidal Maniac was my first exposure to splatterpunk, as well as Lenore by Roman Dirge. I read a lot of the Hellraiser comics as a kid, which weren’t always written by Barker himself but which built on the Hellraiser canon, and I kept all of those comics to this day. And of course, Jason Pargin wrote the John Dies at the End books, the most recent of which inspired me to start writing my debut novella, Fever Dreams. My first ever exposure to horror was most likely Coraline, although Neil Gaiman is more low fantasy than horror.

Tell me about your writing/ editing process

I usually start by brainstorming and typing up some notes. If I have a particular theme in mind, character attributes, or a particular scene I want to include, I’ll write that down, and then just kind of type whatever comes to mind. Once I have a clear enough idea, I’ll write an outline, but I usually view my outlines as loose guidelines – inevitably, I’ll come up with a better idea midway through the manuscript, and I’d rather let the story evolve naturally than strictly follow the plans I made at the beginning.

When I edit for myself, I usually look for ways I could word something better. It’s often harder to see what the larger structural problems are in a story when it’s your own writing, so I usually take a break from it for a while, then come back to it with fresh eyes, and that usually helps me see things that I didn’t notice before. From there I can make larger structural changes where they’re needed, with a primary focus on doing justice to the characters and themes.

When I edit for others, my goal is to find what makes a story good and bring that out by any means necessary. So while I’ll still mark down all of the standard style guide stuff (passive voice, adverbs, cliches, etc) I care more about finding the best elements, and then seeing how the author can make those elements shine.

My big editing hot take is that not all plot holes are bad. I think if you’re approaching something like a fantasy or scifi story expecting 100% realism, you’re approaching it wrong. There’s a reason why villains have monologues, it’s because they’re cool and entertaining! The goal is to entertain, and so long as the plot hole doesn’t break the suspension of disbelief, I don’t think it matters.

What inspires you to write horror?

I could answer this question a lot of ways, but if I’m being 100% honest – I’ve just got anxiety! It’s easy for me to call up feelings of fear and start catastrophizing, and when I write about what makes me afraid, it becomes a healthy outlet. When I finished writing one of the chapters in Fever Dreams, I was actually in tears, and I felt so much better after getting it on paper. There’s something about it that’s a little like exposure therapy, and even if it gets too intense, you can always walk away from it.

What do you love about indie publishing?

It feels collaborative instead of competitive. If I submit a manuscript to a McMillan imprint, the other thousands of manuscripts they get every year are going to drown me out. But with indie publishing and small presses, there’s more of a culture of collaboration and lifting each other up. I’ve never been a competitive person, so being forced to compete with other artists and constantly compare myself to them just makes me miserable.

Which is your favorite horror movie or book? Which movie or book impressed and inspired you the most?

I’ve mentioned it already, but definitely John Dies at the End. It was just so unlike anything I had ever read at the time, and I wanted to emulate David Wong’s morbid sense of humor.

Is there any music that helps you to write?

Music actually distracts me, actually – so does every sound. I do sometimes run across a song that reminds me of a character I have, but I can’t actually write without silence.

Do you have any special projects you want readers to know about?

My debut horror novella, Fever Dreams! It started as a collection of weird nightmares I’ve had, but the thing that made me want to fully develop it was a desire for better representation. As a transgender guy, I get upset with a lot of the trans characters I see in media – a lot of them are very “dysphoric,” they always seem miserable and talk about hating their bodies a lot. It’s depressing and I’m so tired of seeing it, so I wrote this story with a transmasc main character who’s OVERLY confident. He’s the kind of guy who would fight a god without hesitating, and fully believes he could win.

There’s also my longest running project, the webcomic Devil Went Down to Vegas. It’s a horror-comedy/low fantasy webcomic on webtoon about a demon who gets fired from his job in hell, and decides to move to Las Vegas. It’s returning from hiatus this October, so you’ll have plenty of time to catch up!

Where can readers find you on social media?

I’m on twitter @DevSolovey, Tumblr @dev-solovey, BlueSky @devsolovey.bsky.social and instagram @dev.draws. You can find links to all my socials in my linktree, along with links to Fever Dreams and Devil Went Down to Vegas.

Thank you again for interviewing me!

Most welcome!

Blessings, Spiderwitch )O(

Dev Solovey

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July 15, 2024 · 11:57 am

Interview with horror author Jerry Blaze )O(

 

Merry meet all,

Welcome everyone to another awesome interview with a horror author! Today Jerry Blaze joins us to chat on horror fiction.

 

Why horror? Do you have a favorite subgenre in horror?

I write horror because life isn’t always sunshine and happiness, it’s full of chills, thrills and darkness. I think at our basic setup, humans need to be scared and disappearing into a story that scares them can provide that type of emotion rather than going out and doing something potentially dangerous.

My favorite sub genre is Splatterpunk. I love the extreme aspect, the focus on the nitty-gritty and the lack of creating psychological fears that can be mistaken or not have the same bite as having your insides ripped out through a knife wound (hahaha).

Which other horror authors influenced you the most and why?

 

Richard Laymon is my ultimate influence; the way his stories are fast-paced and direct with action, graphic death and intense sexual imagery spoke to me as a reader and writer. After Laymon, I found myself pursuing the works of Matt Shaw, Judith Sonnet, DE McCluskey and Eric LaRocca; their works were intriguing and different and not like the more classy works of Stephen King or Edgar Allan Poe. I was never big into Lovecraft, but I can’t subtract him from the list because his works inspired a lot of the horror that we see today.

Tell me about your writing/ editing process

 

That might actually be the easiest question to answer. I set a timer for around thirty to forty minutes and I write a chapter until the timer hits zero, then I stop for a quick smoke and a sip of coffee, returning right away. I typically aim for ten chapters each time.

My editing process is barely existent. I go through with auto-correct on the document after I finish it, I then send it to my beta readers and they usually point out what I missed, then I slap a cover on it and put it out for the world. I never rewrite or do drafts, I used to write erotica and the need for consistent work was always hovering over me, so I got in the habit of writing like a pulp writer from back in the day. Write, do a once over, publish and repeat; its been my process for the last 16 years.

What inspires you to write horror?

Horror is a free field where anything can happen, you can throw in as much as you want and still find something new to put in. Readers love horror, especially splatterpunk, they are the kind of people I really identify with. Horror is fun, its the kind of genre where you never know what’s next and when it happens, it can either shock, upset, arouse or annoy you. Nowhere else have I found those emotions coming up in any other genre.

I write horror novelettes and novellas because I think too many authors out there don’t respect the short fiction market. Everyone wants to write long novels and break into the long-fiction market, but I personally cap at 15K (or on good days, 17K). When I started writing horror, I wanted to bring back the popularity of the novelette, especially in Splatterpunk, I think I’m doing a pretty good job of it.

What do you love about indie publishing?

 

I love how far it has come in the last twenty years. I appreciate the fact that anyone can acknowledge their dream of being an author. I love that people flock to indie authors who are not being carried by traditional publishers and who push their works out via their own pocket, or by some chance, have a small press backing them up. I love that the books are allowed to be raw, real and not held back by standards enforced by high-rise office editors. Indie publishing is where I see all books coming from in the near future.

Which is your favorite horror movie or book? Which movie or book impressed and inspired you the most?

 

My favorite horror film will always be the original Texas Chainsaw Massacre film from 1973. My favorite horror books are Beware! by Laymon, Night Shift by Stephen King, the Goosebumps books by RL Stine, and Sardines (in the Dark) by Judith Sonnet.

The films that inspire me would be the Friday the 13th Franchise. I grew up in the woods of the Midwest and always feared a killer stalking me when I was out and about around dusk or nighttime. The eerie feeling of being stalked or watched is something that really provokes me, I like to add the feeling to most of my work, along with the feeling of helplessness when the killing starts up.

Is there any music that helps you to write?

 

I generally don’t listen to music when I write because I’ll find myself unable to focus or I’ll accidentally write in a lyric from a song to the story and then have to delete the sentence. I don’t go back and delete a word, I delete the sentence and rewrite it with a better word. So music, videos, or audio is a no-no for me.

Do you have any special projects you want readers to know about?

 

I am always writing! I’m a well-spring of ideas turned into trash! I have books coming out every month until well into next year. I really want to release 2 books a month, but I’m settling on 1 for now (unless another is being published by a small press). I have a few collaborations I’m working on that will prove extremely fun for the communities. At the moment, I’m personally working on a novella about a woman named “Crystal-Meth” who is hunting pedos in the woods, so that’ll be fun to finish.

I am also doing a side-project of writing non-horror erotic guides for people who may be suffering from a miserable love life.

Where can readers find you on social media?

My website, jblazehorror.com, Facebook, TikTok, Instagram, X (Twitter), Gmail, just look for JBlazeHorror and you’ll usually find me.

Happy reading!

Indeed!!!! Blessings, Spiderwitch )O(

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July 14, 2024 · 1:33 pm

Interview with horror author Brian Smith )O(

Merry meet all,

Welcome, everyone, to a very special blog post. Today we are discussing horror with successful author Brian Smith. Brian has agreed to chat in my dark cobweb ridden corner of the web, so let’s get started. 

Why horror? Do you have a favorite subgenre in horror?

As a kid who grew up in the 80’s, as a part of Generation X, horror was everywhere. Freddy Krueger, Jason Voorhees and slasher films in general but I was mostly interested in bug movies like Kingdom Of The Spiders, Island Claws, Frogs and such.

It’d have to be a supernatural horror because there’s so many things ghosts can do some really fucked up shit like change your Wi-Fi password or chase you up the stairs after turn off all the lights in the house.

Which other horror authors influenced you the most and why?

Edgar Allan Poe got to me first, then Stephen King, Dean Koontz, Robert McCammon, Richard Laymon, Jack Ketchum, Brian Keene, Edward Lee, Bentley Little and H.P. Lovecraft. 

What inspires you to write horror?

On top of growing up with slasher and bug movies, I also grew up with Stephen King movies. I checked out Stephen King’s Night Shift from the local library when I was twelve and then I fed myself every Dean Koontz book I could get my hands on. I’ve always enjoyed the fact that authors can turn the everyday lives of an everyday person by throwing them into a panicked and harried situation.

Tell me about your writing/ editing process

My writing process is as fucked up as my editing process because I’ll sit down and get the bare bones of the story out of my head and then I’ll print it out and go through it as best as I can and edit the entire book by adding new paragraphs and scenes into the book and as the meme says, “I do all of my best editing after I hit SEND”.

Which is your favorite horror movie or book? Which movie or book impressed and inspired you the most?

Everyone goes through a horror at some point in their lives whether its an abusive spouse or family member or some life-altering shift in their young and impressionable life at one time or another.

I write horror because it’s real. I write horror because we welcome unknown horrors every time we change our lives for the better and yet we don’t realize that until it’s too late. It’s how we overcome them that matters. We have more free range when it comes to indie publishing. We can put whatever we want in our books, publish them whenever we want and make them as long as we want them to be.

The original Night Of The Living Dead and Stephen King’s Salem’s Lot. They inspired me to write horror and although I haven’t done a vampire novel yet but the former inspired me to write my novel “Dead River”.  It depends upon what I’m writing.

Is there any music that helps you to write?

If I’m writing horror, I listen to a dark lo-fi hip-hop playlist. If I’m writing a crime noir, then its’s something like jazz noir or dark noir music.

Do you have any special projects you want readers to know about?

I’m writing the second book of a trilogy featuring two “supernaturalists” who investigate supernatural locations. I’ve written the outline of a body horror novella and I’m always writing short stories.

Where can readers find you on social media?

Facebook under Brian J. Smith

 Threads and Instagram under horrorauthor9

About the author

Brian J. Smith is the author of Dark Avenues, 1342 Lindley Road, The Tuckers, Consuming Darkness Abbie’s Wrath, Bad Allergies and Dead River. His short fiction has been published in The Horror Zine, Dark Horses: The Magazine Of Weird Fiction and The Drabblecast. He resides in southeastern Ohio has too many books and buys more, thinks that Valentine’s Day should be replaced by Second Halloween and doesn’t drink enough coffee. He is an affiliate member of The Horror Authors Guild and can be found on Facebook under Brian Smith, Twitter under BrianJS913 and on Instagram under horrorauthor9.

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